Each of the pieces have been settled in specific areas of the house to emphasis on their function. They have been selected for their relation with Japanese culture and their connection with the characteristics of the house. Archival documents and videos punctuate the visit, giving an overview of the historical context of Pierre Paulin’s creations.
The house, newly restored by Taniguchi and associates, have been saved from a possible destruction by a young Japanese entrepreneur, sharing with Paulin, Paulin, Paulin the same will of preserving modern patrimony. Starting from the postulate that the era of modernity was probably over in many respects, mainly for ecological reasons, we believe that certain major modernist works must, as testimonies, be protected and passed on to future generations.